Matashi mai gashi mai murɗe sanye da riga mai fari-fari, hannu ɗaya a buɗe yayin da yake magana.
Littafi Mai Tsarki a fasaha · Farawa
Yusuf Yana Ba da Labarin Mafarkansa
Rembrandt · 1633
Rijksmuseum, Amsterdam
Rembrandt ya zana wannan ƙaramin zanen gwaji a 1633, yana amfani da ruwan ƙasa, launin toka da fari kaɗai — salon da ake kira grisaille — a kan takarda. Shekaru biyar bayan haka ya yi zanen ƙarfe na wannan abu.
Matashi Yusuf yana tsaye a cikin haske yana ba da labarin mafarkinsa. Tsohon mahaifinsa yana saurare daga kujerarsa, wata mace ta karkato daga gado mai labule, ’yan’uwan kuma sun matsu tare a hagu, wasu sun karkato, wasu suna kallon wani wuri.
Daga rubutun
- Yusuf yana faɗa wa ’yan’uwansa mafarkansa (Farawa 37:5–9)
- Ya faɗa wa mahaifinsa ma, wanda ya kwaɓe shi (Farawa 37:10)
- ’Yan’uwan suka yi kishi, mahaifin kuma ya riƙe batun a zuciya (Farawa 37:11)
Na mai zanen kansa
- Ɗakin Holland da gado mai kama da akwati mai labule
- Wata mace tana saurare daga gado; nassin ya ambaci “mahaifiyarka” kawai
- Rawuna da huluna irin waɗanda Rembrandt yake amfani da su don siffofin Littafi Mai Tsarki
- Kare yana barci a ƙasa
Bayanai dalla-dalla
Tsohon mahaifin yana zaune sanye da riga mai nauyi, ƙafafunsa a kan ƙaramar kujerar ƙafa.
Wata mace sanye da farin abin rufe kai ta karkato waje don ta saurara.
Sun matsu tare sanye da rawuna da huluna, ɗaya da takarda a hannuwansa.
Ya naɗe kansa a ƙasa a kusurwa.
Rembrandt van Rijn, Dutch, 1606–1669. Rijksmuseum, Amsterdam (SK-A-3477; purchased with the support of the Vereniging Rembrandt) · Oil paint on paper, mounted on cardboard · Image: "Public Domain" (https://creativecommons.org/publicdomain/mark/1.0/); object metadata: CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/) — Rijksmuseum Linked Art record.
