Littafi Mai Tsarki a fasaha · Daniyel

Wahayin Daniyel na Dabbobi Huɗu

Rembrandt · 1655
Rijksmuseum, Amsterdam

Wannan faranti ɗaya ne daga cikin ƙananan faranti huɗu da Rembrandt ya yi wa “Piedra gloriosa” (1655), wani littafin Sifaniyanci game da siffar mafarkin Nebukadnezzar, wanda maƙwabcinsa a Amsterdam, malamin Yahudawa (rabbi) kuma mai buga littattafai Menasseh ben Israel ya rubuta. Rembrandt ya sa dukan sura ɗaya a cikin zane mai tsayin kusan santimita 10.

A ƙasa, cikin duhu, dabbobin huɗu suna tasowa: zaki mai fikafikai a tsaye a kan ƙafafunsa na baya, beyar, wata dabba mai kawuna da yawa da ɗaya mai ƙahoni. Bisa gare su, cikin hasken haske, wata siffa tana zaune a kan kursiyi a cikin taron jama’a.

Daga rubutun

Dabbobi huɗu suna fitowa daga teku (Daniyel 7:3)
Zaki mai fikafikai kamar gaggafa da aka sa ya tsaya kamar mutum; beyar; damisa mai kawuna huɗu; dabba mai ƙahoni goma (Daniyel 7:4–7)
Wanda yake tun fil azal ya zauna a mazauninsa, da dubun dubbai suna masa hidima (Daniyel 7:9–10)

Na mai zanen kansa

Dabbobin a kan ƙasa mai duhu maimakon suna tasowa daga teku
Sama a matsayin zobe na haske da hasken haske yana zubowa ƙasa

Bayanai dalla-dalla

Kursiyin

Zobe mai haske bisa wata siffa da take zaune a kan kursiyi; hasken haske yana zubowa ƙasa daga gare shi.

A cikin haske

A ƙarƙashin kursiyin, wata siffa tana tsaye a cikin hasken da yake zubowa.

Zaki mai fikafikai

Yana tsaye a miƙe a kan ƙafafunsa na baya, fikafikansa a buɗe.

Ƙahoni

A dama wata dabba mai dogayen ƙahoni.

Rembrandt van Rijn, Dutch, 1606–1669. Rijksmuseum, Amsterdam (Mr and Mrs De Bruijn-van der Leeuw Bequest, Muri, Switzerland; RP-P-1961-995) · Etching, burin and drypoint · Image: "Public Domain" (https://creativecommons.org/publicdomain/mark/1.0/); object metadata: CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/) — Rijksmuseum Linked Art record.

Ayoyin

Dan 7:2–10Daniyel ya ce, “A cikin wahayina da dare na duba, a gabana kuwa ga kusurwoyi huɗu na sama suna gurɓata babban teku. Sai ga dabbobi huɗu, kowannensu ya yi dabam da sauran, suna fitowa daga teku. “Na farkon ya yi kamar zaki kuma yana da fikafikai kamar gaggafa. Ina kallo, sai aka fizge fikafikanta, aka ɗaga ta sama, aka sa ta tsaya a kan ƙafafu biyu kamar mutum, aka ba ta tunani irin na mutum. “A gabana kuma ga dabba ta biyu, wadda ta yi kamar beyar. Aka ɗaga ta a gefenta guda, tana kuwa da haƙarƙarai uku a bakinta a tsakanin haƙoranta. Aka faɗa mata, ‘Tashi ki cika cikinki da ɗanyen nama!’ “Bayan haka, na duba, a gabana kuwa ga wata dabba wadda ta yi kamar Damisa, a bayanta kuma tana da fikafikai huɗu irin na tsuntsu. Wannan dabbar tana da kawuna huɗu, aka kuma ba ta iko tă yi mulki. “Bayan haka, a cikin wahayina da dare na duba, a gabana kuwa ga dabba ta huɗu, wadda take da bantsoro da banrazana da kuma iko ƙwarai. Tana da manyan haƙoran ƙarfe; ta ragargaje ta cinye abin da ta kama, ta kuma tattaka duk abin da ya rage a ƙarƙashin ƙafafunta. Ta bambanta da dukan sauran dabbobin da suka riga ta, tana kuma da ƙahoni goma. “Yayinda nake cikin tunani game da ƙahonin nan, a gabana kuwa ga wani ƙaho, ɗan ƙanƙani, wanda ya fito daga cikinsu; kuma an tumɓuke uku daga cikin ƙahonin farko kafin wannan. Wannan ƙaho yana da idanu kamar na mutum da kuma bakin da yake maganganun fariya. “Ina cikin dubawa, “sai aka ajiye kursiyoyi, sai ga wani wanda yake tun fil azal ya zauna a mazauninsa. Rigarsa ta yi fari fat kamar ƙanƙara; gashin kansa sun yi fari kamar ulu. Kursiyinsa kuma harshen wuta, dukan ƙafafun kursiyin masu kama da keken yaƙin, wuta ne. Kogin wuta yana gudu, yana fitowa daga gabansa. Dubun dubbai sun yi masa hidima; dubu goma sau dubu goma sun tsaya a gabansa. Aka zauna don shari’a, aka kuma buɗe littattafai.

Duba shi a shafin gidan tarihin