Bitrus yana miƙa hannunsa ga mutumin, wanda yake miƙa hannu sama zuwa gare shi.
Littafi Mai Tsarki a fasaha · Ayyukan Manzanni
Waliyi Bitrus da Waliyi Yohanna Suna Warkar da Gurgu
Nicolas Poussin, ɗan Faransa, Les Andelys 1594–1665 Roma · 1655
Metropolitan Museum of Art, New York (Marquand Fund, 1924; lamba 24.45.2)
Nicolas Poussin, ɗan Faransa wanda ya yi yawancin rayuwarsa a Roma, ya zana wannan yadi a 1655. Ya shirya abin kamar dandalin wasan kwaikwayo: faɗaɗɗun matakan haikali, manyan ginshiƙai da gine-gine masu siffa a fili, siffofin kuma an jera su a fadinsa cikin tsari mai daidaito.
A tsakiya, Bitrus yana miƙa hannunsa ga gurgun da yake zaune a kan matakan, yayin da matashi Yohanna kusa da shi yake nuna sama. Kewaye da su rayuwa tana ci gaba: wata mace mai bara da yaro, wata mace da kwando a kanta, mutane suna zuwa suna tafiya.
Daga rubutun
- Bitrus da Yohanna suna haurawa zuwa haikali (Ayyukan Manzanni 3:1)
- Gurgun a “ƙofar haikalin da ake kira Kyakkyawa”, yana bara (Ayyukan Manzanni 3:2–3)
- “Ta wurin kama hannunsa na dama, ya taimake shi ya miƙe” (Ayyukan Manzanni 3:7)
Na mai zanen kansa
- Haikalin a matsayin ginin Roma mai manyan ginshiƙai da matakai
- Yohanna yana nuna sama yayin da Bitrus yake kama hannun mutumin
- Sauran mabarata da masu wucewa a kan matakan
- Kowace siffa sanye da riga mai launi ɗaya mai ƙarfi
Bayanai dalla-dalla
Yohanna yana ɗaga yatsa ɗaya zuwa sararin sama.
Siriri kuma rabin tsirara, yana zaune a kan matakan yana kallon sama.
A ƙasa, wata mace da yaro tana miƙa hannuwanta.
Manyan ginshiƙai suna tsaye a ƙofar haikalin.
Wata mace tana ɗauke da kwando a kanta.
Nicolas Poussin, French, Les Andelys 1594–1665 Rome. The Metropolitan Museum of Art, New York (Marquand Fund, 1924; acc. 24.45.2) · Oil on canvas · Public Domain — The Met Open Access (CC0). The Met Collection API record: "isPublicDomain": true; The Met marks such works on its website "with the Creative Commons Zero (CC0) icon".
