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Hadayar Ibrahim, Rembrandt

Littafi Mai Tsarki a fasaha · Farawa

Hadayar Ibrahim

Rembrandt · 1655
National Gallery of Art, Washington

Rembrandt ya yi wannan zanen ƙarfe (etching) a 1655, shekaru ashirin bayan ya zana labarin nan da fenti. Ya zana da allura ta cikin kakin zuma a kan farantin jan ƙarfe, ya bar ruwan acid ya cinye layukan, sa’an nan ya ƙara ƙarin layuka kai tsaye a cikin jan ƙarfen; bugun kusan santimita 16 da 13 ne kawai.

Ya zaɓi lokaci na ƙarshe: mala’ikan ya zo daga baya, yana riƙe da wuyan hannun Ibrahim, wuƙar har yanzu tana hannunsa. Ɗaya hannun Ibrahim yana rufe fuskar ɗansa. A gangaren dama a ƙasa, bayin nan biyu suna jira da jakin.

Daga rubutun

  • Ishaku a ɗaure a kan itacen, a bisa bagaden (Farawa 22:9)
  • Wuƙar a hannun Ibrahim (Farawa 22:10)
  • Mala’ikan yana kira, “Ibrahim, Ibrahim!” (Farawa 22:11)
  • Bayin da aka bari tare da jakin (Farawa 22:5)

Na mai zanen kansa

  • Mala’ikan yana riƙe da Ibrahim da hannuwansa biyu — a nassin mala’ikan ya kira daga sama
  • Hannun Ibrahim a kan idanun Ishaku
  • Ishaku yana durƙushe yana jingina ga mahaifinsa, ba kwance a ɗaure ba

Bayanai dalla-dalla

Fuskoki biyu

Mala’ikan yana kusa a bayan Ibrahim, dukansu suna kallon ƙasa.

Hannu a kan idanu

Hannun Ibrahim yana rufe fuskar ɗansa.

Wuƙar

Har yanzu a hannun Ibrahim yayin da mala’ikan yake hana shi.

Jira a ƙasa

Bayin da jakin, an bar su a gindin dutsen.

Rembrandt van Rijn, Dutch, 1606–1669. National Gallery of Art, Washington (Rosenwald Collection, 1943.3.7161) · Etching and drypoint · NGA Open Access: "Images of these works are available free of charge for any use, commercial or non-commercial, under Creative Commons Zero (CC0)." (NGA open data: published_images.csv openaccess = 1)