Dawuda ya ɗaga hannunsa na hagu sama yayin da yake takawa gaba.
Littafi Mai Tsarki a fasaha · 1 Sama’ila
Dawuda da Kan Goliyat
Andrea del Castagno · c. 1450/1455
National Gallery of Art, Washington
Andrea del Castagno ya zana wannan Dawuda a Florence wajen 1450–1455 a kan garkuwa ta fata da aka shimfiɗa bisa katako, mai faɗi a sama kuma kunkuntacce a ƙasa. Ana ɗaukar irin waɗannan garkuwoyi a jerin gwano da bukukuwa, ba a yaƙi ba.
An nuna Dawuda a matsayin saurayi yana takawa gaba, hannu ɗaya a ɗage sama, majajjawar har yanzu a ɗayan hannunsa. A ƙafafunsa kan ƙaton yana kwance da dutsen a goshinsa.
Daga rubutun
- Majajjawar da duwatsun daga rafi (1 Sama’ila 17:40)
- Dutsen ya shiga cikin goshin ƙaton (1 Sama’ila 17:49)
- Dawuda ya ci nasara “Da majajjawa da dutse kawai” (1 Sama’ila 17:50)
Na mai zanen kansa
- Faɗan da ƙarshensa a zane ɗaya
- Dawuda sanye da gajeriyar rigar Florence, tsayuwarsa kamar mutum-mutumin dā
- An zana shi a kan garkuwar jerin gwano; mutanen Florence suna son Dawuda a matsayin alamar ƙaramin birninsu da yake tsayayya da maƙiya mafiya ƙarfi
Bayanai dalla-dalla
Har yanzu a hannunsa na dama, madaurinta yana jan bayansa.
Kan yana kwance a kan ƙasa mai duwatsu, dutsen a goshi.
Gefen saman garkuwar fata ta jerin gwano mai lanƙwasa.
Andrea del Castagno, Florentine, before 1419–1457. National Gallery of Art, Washington (Widener Collection, 1942.9.8) · Tempera on leather on wood · NGA Open Access: "Images of these works are available free of charge for any use, commercial or non-commercial, under Creative Commons Zero (CC0)." (NGA open data: published_images.csv openaccess = 1)
