An angel points John towards the city from a hilltop.
Bible in art · Revelation
The Angel with the Key to the Bottomless Pit
Dürer · probably c. 1496/1498
National Gallery of Art, Washington
Dürer published his Apocalypse in Nuremberg in 1498: fifteen large woodcuts with the text of Revelation printed on the back, in German and Latin editions. This is the last picture of the series.
Below, an angel with a great key pushes the dragon down into the pit, its lid ready to be shut. Above, on a hilltop, another angel shows John the holy city — a walled town with towers and gables, like a German town, with an angel standing in its gateway.
From the text
- An angel “with the key to the Abyss, holding in his hand a great chain” (Revelation 20:1)
- The dragon thrown into the Abyss and shut in (Revelation 20:2–3)
- John carried “to a mountain great and high” and shown the holy city (Revelation 21:10)
- A great high wall with gates, and angels at the gates (Revelation 21:12)
The artist’s own
- Two separate visions joined in one picture
- Jerusalem as a German walled town of Dürer’s day
- A real landscape of hills, trees and a flight of birds
- Dürer’s monogram at the bottom
Details
Towers, gables and a great gatehouse.
An angel stands in the arched gateway.
The angel holds a huge key and a chain.
The horned dragon, a collar round its neck, sinks into the pit.
The round lid of the pit waits to be shut.
Albrecht Dürer, German, 1471–1528. National Gallery of Art, Washington (Rosenwald Collection, 1943.3.3567) · Woodcut on laid paper · NGA Open Access: "Images of these works are available free of charge for any use, commercial or non-commercial, under Creative Commons Zero (CC0)." (NGA open data: published_images.csv openaccess = 1)
