Mary in a pale blue mantle holds the Child on her lap; he reaches out towards the kneeling king.
Bible in art · Matthew
The Adoration of the Magi
Fra Angelico and Fra Filippo Lippi · c. 1440/1460
National Gallery of Art, Washington
This round panel was painted in Florence in the mid-1400s, probably for the Medici family. Scholars believe Fra Angelico began it and the younger friar Fra Filippo Lippi finished it, which is why the faces and colours differ from one part to another.
Mary sits at the lower right with the Child before a simple shed. The kings kneel in front of her, and behind them a seemingly endless procession of followers, horses and camels winds down from the hills and through the ruins of an old city.
From the text
- The Magi from the east who came to Jerusalem (Matthew 2:1)
- “They saw the Child with His mother Mary, and they fell down and worshiped Him” (Matthew 2:11)
- Gifts of gold and frankincense and myrrh (Matthew 2:11)
The artist’s own
- Three kings in rich Florentine robes (the text gives no number and does not call them kings — that is tradition)
- A stable with an ox and a donkey instead of the “house” of Matthew 2:11
- A huge procession with horses and camels, through ruined Roman-style arches
- A peacock on the roof — painters of the time often used it as a sign of eternal life
Details
Kneeling in gold-trimmed robes; the one nearest the Child is the oldest, the one in red holds a small gold vessel.
Standing beside Mary in an apricot cloak and a blue hood.
Perched on the roof of the shed, its long tail hanging down.
Followers on foot and on horseback pour through a ruined arch.
Fra Angelico (Florentine, c. 1395–1455) and Fra Filippo Lippi (Florentine, c. 1406–1469). National Gallery of Art, Washington (Samuel H. Kress Collection, 1952.2.2) · Tempera on poplar panel · NGA Open Access: "Images of these works are available free of charge for any use, commercial or non-commercial, under Creative Commons Zero (CC0)." (NGA open data: published_images.csv openaccess = 1)
