The servant girl shields the flame with her hand; its light falls on Peter’s face.
Bible in art · Luke
The Denial of St Peter
Rembrandt · 1660
Rijksmuseum, Amsterdam
Rembrandt painted this large canvas in 1660 and signed and dated it at the lower right; the museum lists it as by him and his workshop. Catherine the Great bought it for the Hermitage in 1781, and in 1933 it came from the Soviet Union to the Rijksmuseum.
At night a servant girl holds up a candle, shading the flame with her hand, and peers at Peter. He draws his white cloak round him and lifts an open hand: no.
From the text
- Peter following at a distance into the high priest’s house (Luke 22:54)
- A servant girl who “saw him seated in the firelight and looked intently at him” (Luke 22:56)
- “Woman, I do not know Him” (Luke 22:57)
- “The Lord turned and looked at Peter” (Luke 22:61)
The artist’s own
- A candle instead of the courtyard fire
- Soldiers in the armour of Rembrandt’s own century
- Peter as a grey-bearded old man in a white cloak
- Jesus led away in the dark background at the same moment
Details
An old man with a grey beard, his white cloak pulled round him.
An open hand turns outward — Peter’s gesture of denial.
A soldier in armour stops drinking from his jug and looks up.
A shining helmet and a sword lie in front of him.
Barely visible at the back: figures leading a prisoner away — the museum identifies him as Jesus, looking back.
Rembrandt van Rijn (and workshop), Dutch, 1606–1669. Rijksmuseum, Amsterdam (purchased with the support of the Vereniging Rembrandt; SK-A-3137) · Oil on canvas · Image: "Public Domain" (https://creativecommons.org/publicdomain/mark/1.0/); object metadata: CC0 1.0 (https://creativecommons.org/publicdomain/zero/1.0/) — Rijksmuseum Linked Art record.
