Farthest right, a rider with a crown draws his bow.
Bible in art · Revelation
The Four Horsemen
Albrecht Dürer · probably c. 1496/1498
National Gallery of Art, Washington
Albrecht Dürer published his Apocalypse in Nuremberg in 1498: fifteen large woodcuts with the text of Revelation printed on the back. It was among the first books an artist designed and published himself, and it made him famous across Europe.
Here the four riders of Revelation 6 sweep across the page side by side, trampling people beneath their hooves, while an angel flies overhead.
From the text
- A rider who “held a bow. And he was given a crown” (Revelation 6:2)
- A rider given “a great sword” (Revelation 6:4)
- A rider who “held in his hand a pair of scales” (Revelation 6:5)
- “Its rider’s name was Death, and Hades followed close behind” (Revelation 6:8)
The artist’s own
- All four riders at once, though the text has them come one after another
- Death as a bony old man with a trident on a starving horse
- Hades as the jaws of a monster, as medieval art drew the mouth of hell
- Riders in the clothes and hats of Dürer’s Germany
Details
A rider swings a long sword high over his head.
An outstretched hand holds up a pair of scales.
A gaunt old man with a trident rides a bony horse.
The open jaws of a monster swallow a crowned man.
An angel flies above the riders among the clouds.
Albrecht Dürer, German, 1471–1528. National Gallery of Art, Washington (Ferdinand Lammot Belin Fund and William Nelson Cromwell Fund, 1979.39.1) · Woodcut on laid paper · NGA Open Access: "Images of these works are available free of charge for any use, commercial or non-commercial, under Creative Commons Zero (CC0)." (NGA open data: published_images.csv openaccess = 1)
